Lurching Back to Life

Restart with a Goal

Being an author with both a life and another full-time job makes adding the social media aspect hard. Add to that writing a series as well as working on other manuscripts, and you’ve got one overloaded human.

But I’m going to try anyway. Starting with getting a team together:

  • I’ve started looking for a social media person w/author management experience.
  • My awesome White Gold Wielders writing group sets things up for my alpha readers (for Jewish law, medical, and law enforcement double-checks) which leads into beta readers and finally a professional editor. One need only pay for one once to understand just how important they are (are you listening, Robin Seavill?).
  • Gudrun Jobst does page design and layout as well as the covers. And a dang great job she does of it.

This takes time and money, and having a paying job helps. And will help pay for the first bullet point, above.

I’ll have a post every week or so, with little tweaks and updates as I have the time.

Where Are We At, Again?

A Day at the Zoo is out and available on most all ebook platforms. It’s also available as a trade paperback from Amazon. It’s weird to have the occasional person ask that I sign their copy. What do I say, “hi, thanks for buying it?”

Too Good a Cover?

Book Two in the series, A Question of Allegiance, just went off to the editor and should be back for my edits and final cleanup in a month or so. Unlike AD@tZ, AQoA went through a more systematic editing process (all hail for learning on the job), and so I’ll need to get with Gudrun in a couple weeks to work on the next cover. I sort of outfoxed myself with the first cover as it is generic. If I could use it as the series “cover,” I would. But, alas, folks need to be able to quickly see the difference. I’ll have the blurb up shortly.

Book Three, The Property of Blood, was a very hard one to write. Authors do so ever get attached to their characters. It’s a complete draft, twice gone ’round, but now ready for alpha readers to have at it. It’s a bit longer than the second book, and might need to have some scene deletions, but, since this is being self-published instead of hewing to the ever-changing whims of the publishing industry (which seems to be imploding), I can give the readers a bit more Shmuley than otherwise dictated.

Book Four, A Measure of Mercy, about half complete, word count-wise. Which {sigh} means it’s probably only a quarter of the way done. I did more planning for this book, since as the number of books in the series gets longer, there’s more “Did Shmuley ever this place?” “How does Jethro get involved in the story line early on?” “And what about Erian???” As usual for the series, I’ve got a good view of most of the key events, but not wrapping up the loose threads into a knot — I’m not done making all the threads yet!

Release, oh sweet (pre-)release! [edited]

While I’m currently wrestling on getting the paperback edition up, the kindle version is available for pre-order on Amazon. It’ll be on KDP for the first 90 days at least. Gudrun did a great job on the inside — much slicker than I’d expected, and I did have expectations, thankyouverymuch.

The aforementioned paperback grappling was, as much of this journey has been, an education. ISBN’s I have, and a different one is necessary for each medium in which the book is produced (e.g., ebook, paperback, hardcover, audiobook, CD). ISBNs aren’t required for Amazon’s platform, but are for other ebook venues. For print, however, ISBNs are required and, if the author is supplying them, an “imprint” is required. ISBNs are connected to imprints (e.g., Orb Books, an imprint of Tor Books, the publisher).

Not sure about hardcovers, although current wisdom is that the more media a book appears in, the better the sales, at least on the Amazon platform. I’ll burn that bridge once I get the ebook and paperback out.

BE003721.jpg

I’ve also started looking into an audiobook version, and trying to decide on whether to look at single-reader vs. ensemble of characters. Also on how I’d pay said reader or readers. So, mulling it over while marketing, editing, and, oh, right, more writing.

On the marketing side, I’m looking into reviewer sites, many of which require the book to be published. A catch 22 for a first novel under this name

Getting a mailing list put together. Writing these posts. Having a day job. It’s a lot to put into a blender. But don’t worry… just pre-order the book and your troubles will be solved!

Closing in on Launch!

Pagesetting is complete. Gudrun, who did the book’s cover, did the internal layout as well. ; here’s a sample from the beginning of the book:

Sample text from novel.

The walking man icon is taken from the cover, and appears at the top of each chapter. I’m a bit worried about the Hebrew-esque font for chapter and scene headings, but I’ve been assured that it’s perfectly readable by those who don’t know the language.

Cover Reveal

The cover’s done. It was an interesting evolution. If you’re looking for plot or characters, this isn’t the post for you. It hopefully shows the evolution of a cover from simplistic ideas to a finished, professional product.

I learned a lot, most importantly that while I’ve got some very small graphics skills, and initially was going to create my own, there’s nothing like having a professional. Here was my first swag, a mishmash of visual ideas, just to generate ideas.

Many collective groans came of this (folks, it was not supposed to be a real cover!), so I signed Gudrun up to make sense of this, and she came up with a few thoughts based on it:

For a European artist to do the research on creating an Austin skyline impressed the heck out of me. More on that later. While the badge shape with the Start of David was more on the nose than Gudrun realized, it was too prominent. Also, the tiger’s important, but only at the beginning of this crazy romp.

Busy, Great colors, nice background of Austin (still) and good font set. Shmuley was still too frum (religious)-looking, and I was concerned about using an actual person’s face.

Even busiererer. Pumped up the married part (he is, it’s important, but…just no, for the cover). I did like the walking man. Progress, moving forward… Time for another round.

It had a lot of things I wanted, except Shmuley’s hats & coat weren’t accurate to his religious affiliation. We closed on the fonts. Then we looked at the entire jacket:


I wanted the spine to be clearer, but, more importantly, this novel takes place in an alternate history, so I needed to remove the newer buildings, and add a chunk of tenements. So I sent off this:

Gudrun’s freaking magical:

So here we are: a cover that’ll not just be good for A Day at the Zoo, but be the basis for follow-on books in the series.