Closer and Closer to Reproductive Totalitarianism
The 14th amendment is being weaponized to bring reality into the Shmuley Myers universe.
Judges > Science
The US Supreme Court (SCOTUS) has taken it upon itself to decide whether a drug is dangerous for human use.
The Thalidomide tragedy in the early 1960s might be history for most Americans, but I had a schoolmate, Amy (full disclosure: with whom I had a crush), who had two fingers and a thumb on one hand. She had it hard, and, in 1st grade, not a lot of mercy and understanding was to be found among the kids. But it didn’t keep her back. Despite Benevolent Drug Companies, the Food and Drug Administration pulled the drug from shelves after reports of birth defects. (Okay, because of a female scientist who wouldn’t shut up). Scientists looked at data made a data-based decision, and issued rules based on same.
To have a flock of eminently unqualified, black-robed, here-for-life judges make decisions about what drugs are or aren’t safe for women is, in a word, bananas. Would you want a bookkeeper to decide which drug to use in what dosage for a heart condition? Maybe ask an embalmer what a good recipe for a roast might be?
I don’t think SCOTUS will get involved in this specious, religiously-slanted issue. To rule to limit mifepristone would open the way for RFK Jr. to lobby for vaccines to be removed from pharmacies and for a certain ex-chief executive to get bleach put into HMO formularies.
Unintended consequences of laws, the foundation of the Shmuley Myers series, rolls out the red carpet for insane ideas brought to their ad absurdum ends. Georgia’s current IVF issue is a small example of it. Getting mifepristone banned would simply make more “sinners,” not more murderers. For some religions’ definition of “sinner.”
Yes, Alabama. Still and Again. I’m Looking at you, Louisiana.
The court decision calling IVF embryos “people” merely built on the already legalized notion that embryos have personhood. Devin Stone‘s latest video shows the wheels of injustice grind mindlessly in random directions.
I want all future decisions regarding pregnancy, abortion, or reproduction to be ruled on only by people who understand reproduction. Phrases like “extrauterine children…in…a cryogenic nursery.” They’re just trying to catch up with Louisiana, who’ve already hopped down the rabbit hole.
The macabre world of Shmuley Myers and the Preborn Investigation Bureau was a reductio ad absurdum snark. “Don’t people understand the consequences of such a thing?” (Hint: no.) So, we’re faced with (yet) another clash of church vs. state, where one religion’s radical zealots attempt to influence the State (of everyone else).
Read A Day at the Zoo to understand the now-actually-possible (-dare-I-say-probable?) implications of unintended (intended?) consequences.
What’s the Difference Between…
…An embryo declared as human in the US and the same bit of tissue in Canada? The one in the US can be declared a US citizen, of course. I need to start writing more uplifting fiction. Catch up with the unintended consequences of these actions in A Day at the Zoo.
Michael Chambon and Orthodox Judaism
Austin Poet John Gibbons posted this NYTimes article about Orthodox Jews and an extension of an eruv, which lets Jews carry (anything other than clothes) on Shabbat between private (their house) and public (everywhere else) spaces.
Reminds me of my friends when I was growing up with keys made into tie clips or embedded in simple necklaces. My synagogue even had a red/green traffic signal visible so people could pass by and see if the eruv was unbroken (another tease to read the article).
John also reminded me of why I got into the Shmuley Myers series in the first place. I really loved The Yiddish Policemen’s Union, which Chambon wrote in 2008. Where his book focused on the grander scale of the American Jewish community at an inflection point (no spoilers, go read the book!), I wanted something more intimate, where the Jewish component was as much a fabric of life as that of a homicide detective. And where he has Alaska as the focal point, much as Gene Roddenberry used Star Trek as a stage for human problems, I wanted something more tactile, more interacting with the physical space that Austin provides in spades. Hat tip to Michael for writing this book, and (shameless plug) check out my books in the Shmuley Myers series!
Launch!
Shmuley Myers, an Austin homicide detective, is back! A Question of Allegiance joins A Day at the Zoo and is ready for ebook preorder as well as for ordering in paperback.
Lurching Back to Life
Restart with a Goal
Being an author with both a life and another full-time job makes adding the social media aspect hard. Add to that writing a series as well as working on other manuscripts, and you’ve got one overloaded human.
But I’m going to try anyway. Starting with getting a team together:
- I’ve started looking for a social media person w/author management experience.
- My awesome White Gold Wielders writing group sets things up for my alpha readers (for Jewish law, medical, and law enforcement double-checks) which leads into beta readers and finally a professional editor. One need only pay for one once to understand just how important they are (are you listening, Robin Seavill?).
- Gudrun Jobst does page design and layout as well as the covers. And a dang great job she does of it.
This takes time and money, and having a paying job helps. And will help pay for the first bullet point, above.
I’ll have a post every week or so, with little tweaks and updates as I have the time.
Where Are We At, Again?
A Day at the Zoo is out and available on most all ebook platforms. It’s also available as a trade paperback from Amazon. It’s weird to have the occasional person ask that I sign their copy. What do I say, “hi, thanks for buying it?”
Book Two in the series, A Question of Allegiance, just went off to the editor and should be back for my edits and final cleanup in a month or so. Unlike AD@tZ, AQoA went through a more systematic editing process (all hail for learning on the job), and so I’ll need to get with Gudrun in a couple weeks to work on the next cover. I sort of outfoxed myself with the first cover as it is generic. If I could use it as the series “cover,” I would. But, alas, folks need to be able to quickly see the difference. I’ll have the blurb up shortly.
Book Three, The Property of Blood, was a very hard one to write. Authors do so ever get attached to their characters. It’s a complete draft, twice gone ’round, but now ready for alpha readers to have at it. It’s a bit longer than the second book, and might need to have some scene deletions, but, since this is being self-published instead of hewing to the ever-changing whims of the publishing industry (which seems to be imploding), I can give the readers a bit more Shmuley than otherwise dictated.
Book Four, A Measure of Mercy, about half complete, word count-wise. Which {sigh} means it’s probably only a quarter of the way done. I did more planning for this book, since as the number of books in the series gets longer, there’s more “Did Shmuley ever this place?” “How does Jethro get involved in the story line early on?” “And what about Erian???” As usual for the series, I’ve got a good view of most of the key events, but not wrapping up the loose threads into a knot — I’m not done making all the threads yet!
Release, oh sweet (pre-)release! [edited]
While I’m currently wrestling on getting the paperback edition up, the kindle version is available for pre-order on Amazon. It’ll be on KDP for the first 90 days at least. Gudrun did a great job on the inside — much slicker than I’d expected, and I did have expectations, thankyouverymuch.
The aforementioned paperback grappling was, as much of this journey has been, an education. ISBN’s I have, and a different one is necessary for each medium in which the book is produced (e.g., ebook, paperback, hardcover, audiobook, CD). ISBNs aren’t required for Amazon’s platform, but are for other ebook venues. For print, however, ISBNs are required and, if the author is supplying them, an “imprint” is required. ISBNs are connected to imprints (e.g., Orb Books, an imprint of Tor Books, the publisher).
Not sure about hardcovers, although current wisdom is that the more media a book appears in, the better the sales, at least on the Amazon platform. I’ll burn that bridge once I get the ebook and paperback out.
/https://public-media.si-cdn.com/filer/ee/cc/eecc4040-7e5f-4b5d-907f-b8b02db05a9b/be003721.jpg)
I’ve also started looking into an audiobook version, and trying to decide on whether to look at single-reader vs. ensemble of characters. Also on how I’d pay said reader or readers. So, mulling it over while marketing, editing, and, oh, right, more writing.
On the marketing side, I’m looking into reviewer sites, many of which require the book to be published. A catch 22 for a first novel under this name
Getting a mailing list put together. Writing these posts. Having a day job. It’s a lot to put into a blender. But don’t worry… just pre-order the book and your troubles will be solved!
Closing in on Launch!
Pagesetting is complete. Gudrun, who did the book’s cover, did the internal layout as well. ; here’s a sample from the beginning of the book:
The walking man icon is taken from the cover, and appears at the top of each chapter. I’m a bit worried about the Hebrew-esque font for chapter and scene headings, but I’ve been assured that it’s perfectly readable by those who don’t know the language.
Cover Reveal
The cover’s done. It was an interesting evolution. If you’re looking for plot or characters, this isn’t the post for you. It hopefully shows the evolution of a cover from simplistic ideas to a finished, professional product.
I learned a lot, most importantly that while I’ve got some very small graphics skills, and initially was going to create my own, there’s nothing like having a professional. Here was my first swag, a mishmash of visual ideas, just to generate ideas.
Many collective groans came of this (folks, it was not supposed to be a real cover!), so I signed Gudrun up to make sense of this, and she came up with a few thoughts based on it:
For a European artist to do the research on creating an Austin skyline impressed the heck out of me. More on that later. While the badge shape with the Start of David was more on the nose than Gudrun realized, it was too prominent. Also, the tiger’s important, but only at the beginning of this crazy romp.
Busy, Great colors, nice background of Austin (still) and good font set. Shmuley was still too frum (religious)-looking, and I was concerned about using an actual person’s face.
Even busiererer. Pumped up the married part (he is, it’s important, but…just no, for the cover). I did like the walking man. Progress, moving forward… Time for another round.
It had a lot of things I wanted, except Shmuley’s hats & coat weren’t accurate to his religious affiliation. We closed on the fonts. Then we looked at the entire jacket:
I wanted the spine to be clearer, but, more importantly, this novel takes place in an alternate history, so I needed to remove the newer buildings, and add a chunk of tenements. So I sent off this:
Gudrun’s freaking magical:
So here we are: a cover that’ll not just be good for A Day at the Zoo, but be the basis for follow-on books in the series.